Q: Here you are in Buenos Aires, part of a very vital, generational group, and the next thing you are in New York. Could you talk about the relationship between those different spaces?

Eduardo Costa: They were not different spaces, because I wasn't coming from one country to another country or from one culture to another culture, but I was coming from one arm of the art world to another arm of the art world, thinking of the art world as an octopus.